THE INTERPRETATIONS OF PATTERNS

The name of the pattern, the number of movements, and the diagrammatic symbol of each pattern symbolizes either heroic figures in Korean history or instances relating to historical events.

KWANG-GAE:	Is named after the famous Kwang-Gae- Toh-Wang, the 19th King of the Koguryo Dynasty, who regained all the lost territories including the greater part of Manchuria. The diagram (±) represents the expansion and recovery of lost territory. The 39 movements refer to the first two figures of 391 AD., the year he came to the throne.	Parallel stance with a heaven hand 39 movements Left foot returns
PO-EUN:	is the pseudonym of a loyal subject Chong Mong-Chu (1400) who was a famous poet and whose poem "I would not serve a second master though I might be crucified a hundred times" is known to every Korean. He was also a pioneer in the field of physics. The diagram (-) represents his unerring loyalty to the king and country towards the end of the Koryo Dynasty.	Parallel stance with a heaven hand 36 movements Left foot returns
GE-BAEK:	is named after Ge-Baek, a great general in the Baek Je Dynasty (660 AD.). The diagram (I) represents his severe and strict military discipline.	Parallel ready stance 44 movements Right foot returns
EUI-AM:	is the pseudonym of Son Byong Hi, leader of the Korean independence movement on March 1, 1919. The 45 movements refer to his age when he changed the name of Dong Hak (Oriental Culture) to Chon do Kyo (Heavenly Way Religion) in 1905. The diagram (I) represents his indomitable spirit, displayed while dedicating himself to the prosperity of his nation.	Close ready stance D 45 movements Right foot returns
CHOONG-JANG:	is the pseudonym given to General Kim Duk Ryang who lived during the Lee Dynasty, 14th century. This pattern ends with a left-hand attack to symbolize the tragedy of his death at 27 in prison before he was able to reach full maturity.	Close ready stance A 52 movements Left foot returns
JUCHE:	is a philosophical idea that man is the master of everything and decides everything, in other words, the idea that man is the master of the world and his own destiny. It is said that this idea was rooted in Baekdu Mountain which symbolizes the spirit ofthe Korean people. The diagram represents Baekdu Mountain.	Parallel stance with a twin side elbow 45 movements Right foot returns
*KO-DANG:	is the pseudonym of the patriot Cho man Sik who dedicated his life to the independence movement and education of his people. The 39 movements signify his times of imprisonment and his birthplace on the 39th parallel. *This pattern is sometimes used to replace pattern Juche because of the struggle with the political conflict associated with the pattern’s origin. The Phoenix Group chooses to practice both patterns as they both are a part of the Chang Han style and are a historical part of our art.	Close ready stance C 39 movements Left foot returns
SAM-IL:	denotes the historical date of the independence movement of Korea which began throughout the country on March 1, 1919. The 33 movements in the pattern stand for the 33 patriots who planned the movement.	Close ready stance C 33 movements Left foot returns
YOO-SIN:	is named after General Kim Yoo Sin, a commanding general during the Silla Dynasty. The 68 movements refer to the last two figures of 668 A. D., the year Korea was united. The ready posture signifies a sword drawn on the right rather than left side, symbolizing Yoo Sin's mistake of following his king's orders to fight with foreign forces against his own nation.	Warrior ready stance B 68 movements Right foot returns
CHOI - YONG:	is named after General Choi Yong, Premier and Commander-in-Chief of the Armed forces during the 14th century Koryo Dynasty. Choi Yong was greatly respected for his loyalty, patriotism, and humility. He was executed by his subordinate commanders headed by General Yi Sung Gae, who later become the first king of the Lee Dynasty.	Close ready stance C 46 movements Right foot returns
YON-GAE:	is named after a famous general during the Koguryo Dynasty, Yon Gae Somoon. The 49 movements refer to the last two figures of 649 A. D., the year he forced the Tang Dynasty to quit Korea after destroying nearly 300,000 of their troops at Ansi Sung.	Warrior ready stance A 49 movements Right foot returns
UL-JI:	is named after general UI-Ji Moon Dok who successfully defended Korea against a Tang's invasion force of nearly one million soldiers led by Yang Je in 612 A.D., UI-Ji employing hit and run guerilla tactics, was able to decimate a large percentage of the force. The diagram represents his surname. The 42 movements represents the author's age when he designed the pattern.	Parallel stance with an x-back hand 42 movements Left foot returns
MOON-MOO:	honors the 30th king of the Silla Dynasty. His body was buried near Dae Wang Am (Great King's Rock). According to his will, the body was placed in the sea "Where my soul shall forever defend my land against the Japanese." It is said that the Sok Gul Am (Stone Cave) was built to guard his tomb. The Sok Gul Am is a fine example of the culture of the Silla Dynasty. The 61 movements in this pattern symbolize the last two figures of 661 A. D. when Moon Moo came to the throne.	Parallel ready stance 61 movements Right foot returns
SO-SAN:	is the pseudonym of the great monk Choi Hyong Ung (1520-1604) during the Lee Dynasty. The 72 movements refer to his age when he organized a corps of monk soldiers with the assistance of his pupil Sa Myung Dang. The monk soldiers helped repulse the Japanese pirates who overran most of the Korean peninsula in 1592.	Close ready stance A 72 movements Right foot returns
SE-JONG:	is named after the greatest Korean king, Se-Jong, who invented the Korean alphabet in 1443, and was also a noted meteorologist. The diagram (3:) represents the king, while the 24 movements refer to the 24 letters of the Korean alphabet.	Close ready stance B 24 movements Left foot returns
TONG-IL:	denotes the resolution of the unification of Korea which has been divided since 1945. The diagram (I) symbolizes the homogenous race.	Parallel stance with an overlapped back hand 56 movements Right foot returns